«Человек экрана»: архитектура грез и шаблоны будущего

摘要

The paper concerns problematics of the language of cinema and philosophical questions related to it:what kind of future cinema opened to the mankind, what price does it pay for video dreams, and how,from a technical toy, cinema has become a creator of the major myths of the mankind? Review of thecinema history and the main cinema genres represented in the paper are of current interest in the yearof the 150th anniversary of the cinema inventor Louis Jean Lumiere, the 90th anniversary of “Mosfilm”and series of the world’s great directors and actors’ anniversaries